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etchings in the yale center for british artetchinghand-coloredyale center for british artisaac cruikshankjames gillrayrichard newtonjohn cawse
The Jocose Prisoner & Honest Cryer. A Joke May be Carried Too Far, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
The Grand Review on Sydenham Common, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Present State of Liliput or No Tax on Blindmens Dogs, Isaac Cruikshank, 1796
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The York Reverence; - or - City - Loyalty Amply Rewarded, James Gillray, 1791
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Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) (from: Caricature, Isaac Cruikshank, 1791
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The States of the Bowels; or a Fashionable Disorder!, John Cawse, 1794
etchings in the yale center for british artjohn cawse
A Hint for an Escape at the Next Spring Meeting, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Chancellor of the Inquisition Marking the Incorrigibles, James Gillray, 1793
etchings in the yale center for british artjames gillray
Miss Hibernia at John Bulls Family Dinner, Isaac Cruikshank, 1799
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John Bull Triumphant, James Gillray, 1780
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A Panic on Both Side or Great Men in the Horrors, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Miss, I Have a Monstrous Crow to Pluck with You!, James Gillray, 1794
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The Treasury Spectre, or the Head of the Nation in a Queer Situation, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Pitt Fall, James Gillray, circa 1785
etchings in the yale center for british artjames gillray
The Treaty of Peace, or Satisfaction for all Parties, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Sailors and the Pounded Ass, Richard Newton, 1796
etchings in the yale center for british artrichard newton
A Peep Into Saldanha Bay, or Dutch Perfidy Rewarded, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The High German Method of Destroying Vermin at Rat-Stadt, James Gillray, 1799
etchings in the yale center for british artjames gillray
The Auckward Squad, Isaac Cruikshank, 1794
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Gloria Mundi, or - The Devil Addressing the Sun, James Gillray, 1782
etchings in the yale center for british artjames gillray
The Grand-Signior Retiring, James Gillray, 1796
etchings in the yale center for british artjames gillray
Les Sacrefices Forces, Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
Proteuse/y 2D in Sev'ral Among his Many Publick Characters, James Gillray, 1784
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The April Fool or The Follies of a Night ---, James Gillray, 1786
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A Coalition of Parties, Give Justice Her Claims, James Gillray, 1783
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The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Give a Dog an Ill Name, They'll Hang Him, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
A Will O'The Wisp or John Bull in a Bog!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Buonaparte at Rome Giving Audience in State, Isaac Cruikshank, 1797
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The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard, James Gillray, 1798
etchings in the yale center for british artjames gillray
A Present of a Haunch of Venison!, Richard Newton, 1796
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A New French Bussing Match or More Cursing and Swearing for the Assembly, Isaac Cruikshank, 1790
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A Portrait ------------, James Gillray, 1799
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Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Irish Bull broke Loose, Isaac Cruikshank, 1799
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The Rape of Helen, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Finishing Touch, James Gillray, 1791
etchings in the yale center for british artjames gillray
Frith the Madman Hurling Treason at the King, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Getting the Length of the Duchess's Foot, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Dutch in an Uproar or the Batavian Republic Crying for Winter, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Clo(a)thing, Isaac Cruikshank, 1795
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A Section of a Magnificent & Superb Water Closet ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Pylades & Orestes (Stadtholder & His Secretary), James Gillray, 1797
etchings in the yale center for british artjames gillray
General Mack, Scampering Back!, Isaac Cruikshank, 1799
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Louis XVI Taking Leave of His Wife and Family, James Gillray, 1793
etchings in the yale center for british artjames gillray
Two of a Trade Can Never Agree, Isaac Cruikshank, 1798
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A Witch, Upon a Mount's Edge - Vide: Fuzelli, James Gillray, 1791
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No Flower that Blows, Is Like this Rose, James Gillray, 1796
etchings in the yale center for british artjames gillray
A Dash Up St. James's Street, James Gillray, 1797
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Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations, James Gillray, 1795
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The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull, James Gillray, 1797
etchings in the yale center for british artjames gillray
Drawing for Twelfth-Cake at St. Annes Hill!!, Isaac Cruikshank, 1799
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My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, Isaac Cruikshank, 1794
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Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself, James Gillray, 1798
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A Sphere, Projecting against a Plane ---, James Gillray, 1792
etchings in the yale center for british artjames gillray
Strong Symptoms of Loyalty, Isaac Cruikshank, 1800
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Whims of the Moment or the Bedford Level!!, Isaac Cruikshank, 1795
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No Reform, No Reform, Isaac Cruikshank, 1795
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Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Peep of Day Boy's Preventing an Union by Adding Fire to the Sun. / An Irish Method of Throwing Cold Water on a Subject!, Isaac Cruikshank, 1799
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Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National, Isaac Cruikshank, 1791
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Episcopal Delight a Scene Near Oatlands, or The Babes in the Wood, with Rawheadon - Bloody Bones (from: Caricature, vol. 3), Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Prince at Grass --- The Prince in Clover, James Gillray, 1787
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Sin, Death, and the Devil, James Gillray, 1792
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Vices overlook'd in the New Proclamation, James Gillray, 1792
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Anticipation - Ways & Means - or - Buonaparte Really Taken!!, Isaac Cruikshank, 1792
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Councellor Ego. - i.e.: - Little I, Myself, I., James Gillray, 1798
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Satans, Return from Earth, Discovered in Council - With Belzebub and Belial -- A Sketch after Fuseli, John Cawse, 1799
etchings in the yale center for british artjohn cawse
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child, James Gillray, 1798
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The Friendly Agent, James Gillray, 1787
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Glaucus and Scylla or the Monster in Full Cry, Isaac Cruikshank, 1790
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Louis Dethron'd; or Hell Broke Loose in Paris, Richard Newton, 1792
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The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude, Isaac Cruikshank, 1797
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A Salt Water Salute, Richard Newton, 1794
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John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
Which is the Better Man or The Pot Calls the Kettle Blacka-e, James Gillray, 1786
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A Sketch from Highlife, Richard Newton, 1791
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Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister), James Gillray, 1794
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The English Regency, James Gillray, 1789
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A Warm Birth for the Old Administration -----, James Gillray, 1783
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The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat, James Gillray, 1796
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Sedition, Levelling and Plundering; (rest of title cut off), Isaac Cruikshank, 1792
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The Fall of Dagon - or Rare News for Leaden-Hall Street, James Gillray, 1784
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Patriotism, Richard Newton, 1794
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Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests, James Gillray, 1798
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The Ghost's or the Taylor Befrited..., A German Story, James Gillray, circa 1790
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Mad Tom's First Practical Essay on the Rights of Man, Isaac Cruikshank, 1792
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The Present State of Europe, Or - John Bull on his Last Legs, Isaac Cruikshank, 1795
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Revolution, Isaac Cruikshank, 1790
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How to Gain a Compleat Victory. and. Say. You. Got. Safe. Out. Of. The. Enemy's. Reach, Isaac Cruikshank, 1791
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Gen'l Swallow Destroying the French Army, Isaac Cruikshank, 1799
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The Cryer, Alias the Bell Weather, Isaac Cruikshank, 1797
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A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A New Prop for a Rickety Stool, Isaac Cruikshank, 1798
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False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats, Isaac Cruikshank, 1793
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The Maid of Bath, or 'Mac' in her Teens, Isaac Cruikshank, 1792
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